Showing posts with label bootleg. Show all posts
Showing posts with label bootleg. Show all posts

Wednesday, January 14, 2009

Playlist for January 14, 2009




Laurie Anderson Homeland Tour
Sydney Opera House, Sydney, New South Wales, Australia
22nd of October 2007

Taper's notes:

I enjoyed the shows very much and I'm very glad I went to both nights. This show really grows on me with every time of hearing it again.

Laurie was also very well received in Sydney, I think she's got a very dedicated circle of fans here.

This was the second night of Laurie Anderson's Homeland at the Sydney Opera House.
The Sydney Opera House has 2 major performance venues, the Concert Hall in the left wing (looking from the side of the staircase) and the slightly smaller Opera Theatre in the right wing. Normally all concerts are performed in the Concert Hall, but these 2 shows
were performed in the Opera Theatre, which apparently has better acoustics than the Concert Hall.

Recorded from the 6th row, close to the right speaker stack with Churchsound Cardioid Microphone System STC-9000

Laurie Anderson words and music, vocals, one of a kind violin/viola, keyboards and samples
Eyvind Kang (viola)
Jamshied Sharifi (keyboards)
Skuli Sverrisson (bass, guitars)

01. The Lark
02. Why Do People Hate Us
03. Transitory Life
04. Only An Expert
05. Maybe If I Fall
06. Short Fall
07. Tuvan Loop
08. The Underwear Gods
09. Out Of The Heart
10. Calling Them Up
11. Perfect
12. Pictures And Things (Male Voice)
13. Bodies In Motion
14. Sky Flying Birds
15. Lost Art Of Conversation
16. No Man's Land
encore
17 Let X=X It Tango

Artist info at www.laurieanderson.com
Fan forum at www.groups.yahoo.com/group/laurieandersonclub
Sydney Opera House info at www.sydneyoperahouse.com


CAPTAIN BEEFHEART & HIS MAGIC BAND
BBC Sessions
--------------
01 Yellow Brick Road
02 Abba Zaba
03 Sure 'Nuff N' Yes I Do
04 Electricity
05 Beatle Bones N' Smokin' Stones
06 Safe As Milk
07 Kandy Korn
08 Trust Us

TOTAL TIME: 32:47

--------------------------
First Session (Tracks 1-4)
--------------------------
Recorded: 1/24/68
Broadcast: 2/4/68

Source:
"Out Here, Over There" CD

---------------------------
Second Session (Tracks 5-8)
---------------------------
Recorded: 5/6/68
Broadcast: 5/12/68

Sources:
"Re-Brodacast Collectors Tape" (Beatle Bones, second half of Trust Us)
"Another Chapter" LP (Safe As Milk, Kandy Korn, first half of Trust Us)
"Out Here, Over There" CD (John Peel's Intros, Beatle Bones end fill)

---------------
TECHNICAL NOTES
---------------
Re-equalization
Approximate Speed Correction
Mono Restoration
Various sources combined and edited

"Beatle Bones" is a different mix of the "Plain Brown Wrapper" version, and not a unique BBC performance.

Compiled & Remastered by JWB - August 2008


BOILED IN LEAD
Acoustic demo 2007

Cedar Cultural Center, Minneapolis MN USA, 2006-12-16


personnel

Robin "Adnan" Anders doumbek, tapan
Dean Magraw acoustic guitar
Todd Menton vocals, acoustic guitar, mandolin, bodhran, whistle
Drew Miller bass guitar
David Stenshoel fiddle

tracks

1) Ballad of the House Carpenter
(trad. arr. BiL)
2) Sota
(trad. arr. BiL)
3) Silver Carp
(Todd Menton)
4) Menfi
(Akli Yahatene & Missoum Amarqui, arr. BiL)
5) Jolly Tinker
(trad. arr. BiL)
6) Death on Hennepin
(John Van Orman)
7) Corner House Set
(Dean Magraw)
8) Son, O Son
(trad., arr. BiL)

CREDITS

Recorded live at the Cedar Cultural Center,
Minneapolis Minnesota December 12, 2006

SOURCE

Live Mix by Raymond Yates
Recorded by John Keefe on the Tascam DV RA-1000
Edited by Drew Miller at First Generation Studio
and with Gary Edelburg at Electric Shadow

The Doctor on TWITTER.

Wednesday, July 30, 2008

Playlist for July 30, 2008



Led Zeppelin, Sports Arena
March 14, 1975, San Diego, California
(Continued from last week)

Soundboard Recording
"Conspiracy Theory" Empress Valley

No Quarter
Trampled Under Foot
Moby Dick
Stairway to Heaven
Heartbreaker

Brought to you by
presence@royal-orleans.com
*****

Reviewers' notes:

From Underground Uprising:

I still can't believe that as I write this review I am listening to not only a completely new and unknown concert (from 1975 for goodness sake), but in addition it is a near complete and excellent sounding mono soundboard recording. Empress Valley's releases this year have been lacklustre regurgitations of already over released shows, but they then buck that trend and pull this amazing concert out of the hat. As Robert Plant introduces Over The Hills And Far Away, he says "Good evening. San Diego, good evening!". At the end of this song he apologises for the band being a bit late, blaming snow in Austria! Then he says: "which has a lot to do with San Diego, right?". Finally at the end of Stairway To Heaven he thanks San Diego. Many thanks for that Mr. Plant, you have convinced an old sceptic! The liner notes by the redoubtable Aquarius 11 are now much improved in translation from Japanese to English, and they make rather more sense than previous efforts. We are obliged to him for comparing this soundboard recording with the (very poor sounding) audience recording from this venue on the 10th March. He concludes that there are no similarities, and therefore this is a genuine new recording that has surfaced.

Unfortunately Plant's voice is not in good shape, on Rock And Roll he sounds decidedly rough. After blaming the snow for the delay (same excuse as at Long Beach on 12th March), he clears his throat (which sounds rather claggy). The invariably solid and dependable John Paul Jones is also not at his best, and he has problems with the Mellotron this evening (especially during The Rain Song, particularily near the end when it has a mind of its own). Talking of The Rain Song, Mr. Page takes a few seconds to realise that he should start playing this song immediately after The Song Remains The Same ends! Plant introduces John Bonham's Moby Dick drum solo by saying that Bonham is one of the finest trombone players that America's ever heard! This soundboard recording is punctuated throughout by various remarks by Bonham, especially during Moby Dick.

There still remains a big question as to whether Whole Lotta Love/The Crunge was played at this concert. It would be very strange if it was not, as they played it at all the other 1975 USA concerts. There is an edit in the audience applause on disc 3, track 2 (the end of Stairway), at 12.21, and then shortly afterwards the band are back on stage and Plant very forcefully says "Good evening! I said good evening!". Listening to the recording from the Long Beach show on the 12th, he says exactly the same for the second encore. Jimmy Page then goes into Heartbreaker. I strongly suspect that this was the second encore. Therefore either Whole Lotta Love/The Crunge was not played (most unlikely), or that song is missing from the soundboard recording. Looking at the previous three concerts, we find that at San Diego on the 10th March, and again in Long Beach on 11th March, the encores consisted of Whole Lotta Love/The Crunge, followed by Black Dog. At the second Long Beach concert on 12th March (two nights prior to this show), they also played Heartbreaker as a second encore. Bearing in mind that apart from this song the soundboard recording is complete with no cuts, this is very odd. One hopes that Empress Valley have not been stitched up (as they were with Requiem, Preston 30 January 1973).

So we have here an incredible find, and, for a change, full marks must go to Empress Valley for making this concert available. (Jules McTrainspotter June 04)

I have three main thoughts to offer about this excellent new release from Empress Valley:
1) for those of us (like me) who love imaginative and involved packaging, this release is a bit of a bummer.
2) for those of us (like me) who love an excellent soundboard recording of Zep, this is a thoroughly enjoyable and powerful concert and
3) for those of us (like me) who get a thrill listening to a smoking Zep 1975 performance, this ranks among the other keepers from that tour.

The recording, to me, is maybe the highlight of this release. I did not expect such clarity, and power, when this newly surfaced show was first announced. It's a very pleasant surprise to hear just how perfectly balanced everything is on stage with the audience. This is, then, a live recording that is not outdone in quality by Flying Circus, When We Were Kings, or any other 1975 board release. It's that good.

As for the performance, it's spotty, but not in a bad way. John Bonahm is providing a standard 1975 performance, with many fills mimicking those that he performed throughout the tour. Snare to tom types of bits that do not reflect the type of ingenuity that so incredibly set him apart on other nights. That said, he's still tearing it up in songs like Sick Again, OTHAFA, IMTOD, Trampled, and, in a very funky and entertaining section of Heartbreaker where he and JPJ are going it at unaccompanied, giving the audience a little extra. Robert's rough at the start, but really does improve as the show progresses, with a strong Stairway for a change. All in all, the songs are played as they were throughout the 1975 tour without any real surprises. Still, this is Zep, and the show's outstanding and entertaining from start to finish. I can only hope that concerts like this continue to make their way out of the clutches of whoever selfishly holds them for all of these years.

(Symmetry101, June 2004)

First up, when I heard of the new release being an unreleased 1975 show, I was a little disappointed. I wanted Bath soundboard or a 1972 soundboard. The date wasn't heard of and not confirmed yet! Then it was proven that it was indeed San Diego 3/14/75. So many times in the past Empress Valley has droped the ball with some of their shows. Not this time.

Well in anticipation I put disc one in and hit play...and it was(is) awesome. It has the feel of Flying Circus and Chasing The Dragon. The band is really tight, they nail Rock And Roll. Bonzo is on fire. He is really consistent night after night. Robert's voice was my main concern, how was it going to sound. Was it going to be really raspy...I think he sounds fine. Robert brings it. This is a great sounding show. I really love The Song Remains The Same and The Rain Song. The intro to The Rain Song is one of my favorite parts. Fans of No Quarter are going to love this one. No Quarter has some parts that are just unique to this show. What I mean by that is, there are some parts that I haven't heard used in any other No Quarter. It is an amazing No Quarter. Dazed And Confused is eerie and pulls you in. What is amazing about this band is that they know each other so well, they can improvise so well. Dazed And Confused is a highlight because of this fact alone. Will they pull off the improv? What songs or riffs with they throw in? and who is going to take the lead? This is one of those songs I wish I could see as well. Page's playing is solid. Now I know some people are going to say..."he was out of tune on this song or that song" the only thing I know is he sounds great. What I love about his playing is the emotion, he plays in the moment. And this show is no exception. Stairway To Heaven is great. This could be one of my favorite versions of it.

You just have to love soundboards. The whole band sounds great. All in all Empress Valley has given the Led Zeppelin community another great . Now they had better not go and re-release this show in 6 months with the rest of it (ie, the Whole Lotta Love encore). That is the only part that makes me wonder, where is the rest of the show? This is a great addition to anyone's collection. Thumbs up Empress Valley.

(Cleet68 June 04)



Arthur Brown - The Lord Doesn't Want You - Fire (Sanctuary)
Arthur Brown - Fanfare-Fire Poem - Fire (Sanctuary)
Arthur Brown - Fire (Die Krupps Remix) - Fire (Sanctuary)
Can - Outside My Door - Monster Movie (Spoon-Mute)
Gary Numan - Conversation - The Pleasure Principle (Beggar's Banquet)

Johnny Talbot - Pickin' Cotton - Bay Area Funk (Ubiquity)
Solis Lacus - Peace please - Solis Lacus (EMI)
Steely Dan - Chain Lightning - Citizen (also on Katy Lied) (MCA)
Dietrich Schoenmann - Autumn Ground - Hard Sessions (Shadow)
Human League - Tell Me When - Octopus (Warner Bros)

Richard Hell & The Dim Stars
- Rip Off - Spurts (Rhino)
Jefferson Airplane - Spare Chaynge - After Bathing at Baxter's (BMG)
Faust - Krautrock - Faust IV (Caroline)

Funkadelic - I got a thing You Got A Thing - Funkadelic Live (Westbound)
Frank Zappa - Stairway To Heaven - Broome County Arena - 3-17-88
Little Joe Moseley & The Sequins - Lookin' For A Job - Honey For Sale (Del-Fi)
Doug Wimbish - Bedwood - Trippy Notes for Bass (On-U Sound)

Wednesday, May 14, 2008

Playlist for May 14th, 2008

Brian Eno- Music for Ara Pacis, 6 May 2008

Taper's Notes:

Nine years on from their first collaboration (`I Dormienti` in the undercrofts of the London Roundhouse), Brian (music) and Mimmo Paladino (installation, sculptures) have again joined forces for a collaborative project at Rome's Museo dell'Arra Pacis.
It ran from 11th March to 11th May.

Here is an audience recording, ipietri, a bright star in the Eno universe, sound wizzard and a good friend too has managed to visit the very installation and succesfully make a wonderful recording. Quality wise top notch!!!!

He asked me to upload this on his behalf and I feel honored (and happy to regain some of my reputation as some sort of `Eno pope` (or geek or whatsoever ;-)...). Since I didn`t take Eno's advice for slower and better thinking and made a remark at the `Nerve Net Forum` which lost me lots of sympathies there I want to repair some of the bad karma I have earned: People! Buy all of Eno`s records, he is a genius! Buy his books, dvds too and visit his installations, he is a great and gifted artist.

O.K.: here is, what ipietri wrote about the very recording (again thanks and all spots on him!!!!):

``as promised here's my recording inside the Ara Pacis in Rome
I made it yesterday afternoon with Core Sound Binaurals mic + Marantz PMD620 recorder
edited with Steinberg Wavelab and HarBal 2.3
no cuts in the recording, it's a 1 hour visit walking in the
installation... including some (rare) visitor chatting... rare and not
annoying, easily the reference recording from the installation :-))
I suggest you don't play it loud...it really works as a background...
it's playing now in my office and nobody is protesting :-)))``

+++++++++++++++++++++++++++

Acid Mothers Temple
04/01/08
7th Street Entry
Minneapolis, MN

Taper's Notes:

Source: Microtech Gefell m200 > van den Hul silver > sd722 @ 24/48

Mic Config: DIN (90 degrees 20 cm)

Location: Beside The Board - LOC - 8' stand

Transfer: CF > USB 2.0 > PC

Volume, Fades, EQ & Resample to 44.1Hz Soundforge 9.0
Dither to 16 bits Izotope Ozone 3 MBIT+
Tracks Split with CD Wave Editor > FLAC Frontend

taped & transferred by David Lawrence

THE BAND:
Tsuyama Atsushi: monster bass, voice, cosmic joker
Higashi Hiroshi: synth, guitar, voice, dancin'king
Shimura Koji: drums, latino cool
Kawabata Makoto: guitar, voice, speed guru

01. Intro Jam >
02. Douchebag
03. Dark Stars In The Dazzling Sky
04. Pink Lady Lemonade >
05. Speed Guru

Setlist from ZaPenguin. Thanks!!

One short, complete set. I'm told that the short set was due to a late start caused by one of the opening bands having border crossing difficulties. Acid Mothers Temple took the stage
around 1am and were done by 2am...

+++++++++++++++++++++++++++

The Lyon Tapes Collection (Volume 279)

MUDDY WATERS

Théatre antique de Fourvière
Lyon (France)
July 16, 1979

Taper's Notes:

Lineage : master Audience cassette tape (azimuth optimized) > SB live > Adobe audition (acquisition & edition) > Wav > Trader's Little Helper (level 6/sectors boundaries aligned) > Flac files.

Setlist : not complete ...

01. intro musicians
02. Champagne & Reefer
03. ?
04. Hoochie Coochie Man
05. Kansas City

5 separate tracks
Total time : 21'18"

Notes :
This is the 279th upload of my concerts collection recorded in Lyon (France).
It's a pure 100 % audience recording with an "artificial head" ( MKE2002 Sennheiser) & my old tape recorder SONY TCD152SD from the middle of the theater seats, about 20m from the stage.
This was recorded for "La Nuit du Blues" au Théatre antique de Fourvière (Lyon) in July 1978 - about 5 000 seats. The following artists were playing for this Blues Night : Sugar Blue / Taj Mahal / Luther Allison / Muddy Waters & BB King ...

Line-up :
Muddy Waters - vocals, guitar, slide guitar
Bob Margolin - guitar
Luther Guitar jr. Johnson - guitar
Pinetop Perkins - piano
Jerry Portnoy - harmonica
Charles Calmese - bass
Calvin "Fuzz" Jones - drums

enjoy it all MUDDY WATERS fans !!

+++++++++++++++++++++++++++

Bone
Presented by Whitney Live
Whitney Museum
NYC USA
February 15 2008

Taper's Notes:

Aud CSB>Edriol R-09>Peak>Xact>Flac
Recorded by avantprog

Yet another set by Mssrs Didkovsky,Hopper and Roulat.
The sound on this is not nearly as nice as the DMG set.

Nick Didkovsky Guitar
Hugh Hopper Bass
John Roulat Drums

Foster Wives Trophy Hair (Didkovsky)
Overlife Part 3 (Didkovsky)
Green Dansette (Hopper)
Chaos No Pasties (Didkovsky)
We'll Ask the Questions Around Here, part 2 (Didkovsky)

Videos from this show are here:

http://www.youtube.com/watch?v=dXKRmpirvbc

http://www.youtube.com/watch?v=TqrWdOG4zKw

+++++++++++++++++++++++++++

Ian Carr's Conversation with the Blues

BBC Studios (Jazz In Britain)
London, England
March 17th 1980

Ian Carr (trumpet)
Allan Holdsworth (guitar)
Brian Smith & Tim Whitehead (sax/flute)
Geoff Castle (keyboards)
Chucho Merchan (bass)
Nic France (drums)
Chris Fletcher (percussion)

Taper's Notes:

1. Conversation with the Blues part 1
2. Conversation with the Blues part 2
3. Conversation with the Blues part 3
4. Sidewalk
5. BBC Announcer

Remember, I won't be on the air
next week (May 21, 2008).
I expect to be back on the air at my
usual time on the 28th, but don't
quote me on that (gosh darn that
real-life!). I'll definitely be back
on Wednesday, May 4th.

Please check this blog for further details.
Have a good one!